The Transitional Box
Directed by Vera Erenbourg
Movement Director P.J. Maske
Lighting Designer Fridthjofur Thorsteinsson
Costume consultant Mahela Rostek
Performed by Amanda Castro, Hayley Kasperczyk, Vera Erenbourg
Embassy Studio, 23rd September 7.00 p.m., 8.30 p.m., 24th September 5.00 p.m.
The concept of transition presupposes a process of change from a form or state, style, place to another. I aim to test the transitional potential of performance. As a dimension of time and space detached from the rules and limitations of the everyday life, it provides an environment full of possibilities. I am interested in the collectivity of the performers, the chorus, as a source of creativity and a platform of human and artistic exchange. The Embassy Studio is a multidimensional space, a definite choice. It brings to the exploration the idea of chora, a first space. Its octagonal structure suggests different spatial configurations, movements, perspectives and directions to engage with. Inthis context do the audience become a chorus as well mirroring the ensemble then engaging with the transitional experience?
15th-27th September 2008
Central School of Speech and Drama
Embassy Theatre
Eton Avenue
London NW3 3HY
For information and to order a catalogue
For In/scissions 2008
Ana Sánchez-Colberg: Festival Curator, Course Leader Research Degrees
Alexandra Stone: Production Manager
Jessica Hartley: Creative Producer
Amanda Castro/Hayley Kasperczyk : Marketing and Publicity
Joe Fry: Publicity Designer
Mark McCullum: Rehearsal/Venue Coordinator
Vera Erenbourg: Front of House/Box Office
Ken Mizutani/Roberto Puzone: Media Services
Ian Bald: Technical Services
Dr Zachary Dunbar, Dr Jane Munro, Vicky Spanovangelis: Project Mentors
Tony O’Dowd/Robert Gunton: Estates
The festival board and participating artists would like to thank Adam Parker, Sam Cullen, Susan Emmanuel, Jacky Fisher and Peter Bingham for their help and support. Gun Roman, Lena Hammergren of the K-U Board, Ivar Heckscher of the Department of NyCirkus Danshögskolan Stockholm, and the Department of Composition and Conducting, The Royal College of Music, Stockholm for support that made the participation of the visiting Swedish artists possible.