In/scissions, aurally, incision, a cut in the skin or the flesh, moment of acute perception that draws focus to internal workings, where/when there is no referent, no ‘other’ time or place but here. In-scission, the non-word read graphically, in-to separation, division, or splitting, as in fission, what makes each one one, always singular and particular, critically this and not another.

Small Acts of Pure Reason

Vassiliki Mouteveli
Performers : Elpida Orfanidou, Mahela Rostek, Vassiliki Mouteveli
Lighting and sound design: Vassiliki Mouteveli

Performance Space 1, Monday 22 September, 7.00pm, Tuesday 23 September 6.00pm and 7.30 pm
Small acts of pure reason
There are conventions, but there are not laws.
There is performance, but it is not made up.
There are secrets, but they are revealed.
There is comedy, but there is not laughing.
There is tragedy, but there is not sympathy.
There is a new event, but there are expectations.
There is movement, but will not be moved.
There is a solo, but it is not alone.

15th-27th September 2008

Central School of Speech and Drama
Embassy Theatre
Eton Avenue
London NW3 3HY

For information and to order a catalogue

Contact
E-mail:
infofea@cssd.ac.uk

or phone:
020 7559 3999

For In/scissions 2008


Ana Sánchez-Colberg: Festival Curator, Course Leader Research Degrees

Alexandra Stone: Production Manager

Jessica Hartley: Creative Producer

Amanda Castro/Hayley Kasperczyk : Marketing and Publicity

Joe Fry: Publicity Designer

Mark McCullum: Rehearsal/Venue Coordinator

Vera Erenbourg: Front of House/Box Office

Ken Mizutani/Roberto Puzone: Media Services

Ian Bald: Technical Services

Dr Zachary Dunbar, Dr Jane Munro, Vicky Spanovangelis: Project Mentors

Tony O’Dowd/Robert Gunton: Estates

The festival board and participating artists would like to thank Adam Parker, Sam Cullen, Susan Emmanuel, Jacky Fisher and Peter Bingham for their help and support. Gun Roman, Lena Hammergren of the K-U Board, Ivar Heckscher of the Department of NyCirkus Danshögskolan Stockholm, and the Department of Composition and Conducting, The Royal College of Music, Stockholm for support that made the participation of the visiting Swedish artists possible.